16 August 2026

ELVIS ARTICLES - UPDATED

I have been a fan of Elvis Presley since 1970, when I first saw Elvis - That's The Way It Is at my local cinema in Worthing. In the years that followed my collection of vinyl singles, extended play and albums expanded and it was not long before I had a complete collection of his recorded output including several bootleg albums and tapes.
 

Over the years I have replaced all my vinyl with CDs and added all his films on DVD or Blu-Ray and built up a comprehensive library of books and magazines which I refer to regularly, especially during my work here on my blog.

I continue to collect most of the latest releases, especially those on the Follow That Dream collectors label, although I have passed on the constant stream of live recordings and the vinyl re-issues. My most recent addition is the The Making Of G. I. Blues set which I am currently working through.

I have been fortunate to have had articles on Elvis published in magazines and also worked on a live compilation CD, writing the liner notes.

In 1998 I was fortunate to visit Memphis with my wife Carole and we visited both Graceland and Sun Studios which were just two of the highlights of our holiday which also included time in Nashville.

I recently visited the Direct From Graceland exhibition at the Arches London Bridge and it was interesting to see all the memorabilia and artifacts.

I have updated this article to promote the various Elvis Presley articles I have featured on this blog over the past few years. They are listed below with the title, date first published, an image from the article, a short excerpt and the link to the full article.

Enjoy!


FROM ELVIS IN NASHVILLE
First published 20 November 2020

By June 1970 Elvis was riding high and achieving the critical acclaim he had not received since the early 1960s. Following the 1968 Elvis TV Special he had returned to Memphis in 1969 and for the first time recorded at the famous American Sound Studios under the guidance of Chips Moman and backed by the legendary 827 Thomas Street Band. August of that year saw him back in front of a live audience for the first time in almost nine years during a month long, sold-out engagement at the International Hotel in Las Vegas. He returned for another run of sold-out shows in February 1970 and contracts had been agreed for him to return in August, and it would be filmed and recorded for a new documentary and album.

The material he had recorded in Memphis turned his career around. The album From Elvis In Memphis was a major success as were the singles released at the time... In The GhettoSuspicious MindsDon't Cry Daddy and Kentucky Rain. Everyone expected him to return to Memphis for his next planned sessions but unfortunately it wasn't to be. Several reasons have been given, among them issues over publishing rights.
 
Read the full article here...

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ELVIS - BACK IN NASHVILLE
First published 14 November 2021


For Elvis Presley the start of 1971 saw him accepting an award which must have meant so much to him. He was named one of the 'Ten Outstanding Men' by the Junior Chamber of Commerce (Jaycees) and accepted his award at a special banquet held in Memphis. The award recognised young men who had made great achievements in their particular field and over the years recipients had included John F. Kennedy, Orson Welles and Howard Hughes, so he was in good company. During his acceptance speech Elvis said, "I learned very early in life that, 'Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bend, without a song', So I keep singing a song."

The previous two years had seen his career take a dramatic turn with sessions in Memphis in 1969 and Nashville in 1970 producing hit singles, including In The Ghetto, Suspicious MindsDon't Cry DaddyPatch It UpI've Lost You along with a run of successful albums, From Elvis In MemphisBack In MemphisElvis Country and That's The Way It Is.

Read the full article here...

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STANDING ROOM ONLY
First published 12 April 2022


Back in January and February Elvis had played a month-long engagement at the International Hotel in Las Vegas, his sixth season in the city since his comeback shows in August 1969. During the season a number of new songs were recorded live for possible inclusion on a future album including The Impossible DreamNever Been To SpainYou Gave Me A MountainIt's Over and the show-stopper An American Trilogy.

Released as a single in early-April, An American Trilogy, failed to achieve the kind of success they had hoped for when it stalled at #66 on the Billboard Hot 100. The sleeve advertised the Standing Room Only album stating it was a summer release and would be a live album. This, as we shall see later, never materialised and the live material along with those recorded at the March session would end up spread out over several singles and albums. There wouldn't be another single release until August, four months after the tour ended.

Read the full article here...

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PRINCE FROM ANOTHER PLANET
First published 9 June 2022


Mid-1972 and despite his popularity and following across the entire United States Elvis had never played an actual concert in New York City, although he had made television appearances back in the 1950s. However, that would change on 9 June when he undertook his second tour of the year. On this, the fiftieth anniversary, we look back at the concerts and the albums that have been released over the years.

The tour, promoted by Jerry Weintraub in association with RCA Record Tours, would open in New York at the famous Madison Square Garden. Originally only three concerts were scheduled, an evening show on Friday 9 June and afternoon and evening shows on Saturday 10 June.

Tickets went on sale on 8 May and even before the box office opened there were 2,000 people lined up ready to purchase their tickets.


Read the full article here...

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ELVIS - A LEGENDARY PERFORMER
First published 21 October 2022


Throughout Elvis Presley's long career his record company had never, intentionally, released any previously unreleased material. However, an alternate version of Old Shep had been issued in error on some early import pressings of his second album, Elvis, released in October 1956. A second mistake occurred in 1973 when, after releasing the studio recording of Stay Away, Joe in 1970 on the budget release Let's Be Friends, the movie version was included in error on the budget album Almost In Love. This was soon corrected on later pressings.

All this would change in 1974, long before the advent of the Follow That Dream label which has given fans a wealth of unreleased material over the past twenty-plus years.

In the mid-1970s RCA Records created a new series of albums with the generic title A Legendary Performer. Artists that were featured in the series included Jim Reeves, Perry Como, Glenn Miller, Henry Mancini, Bing Crosby, Jimmie Rodgers and Elvis Presley.

Read the full article here...

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CHRISTMAS WITH ELVIS
First published 12 December 2022


Christmas was a special time for Elvis and every year he decorated Graceland, inside and out, with an impressive display of lights and decorations to celebrate the festive season. With his love of the season it seemed an obvious move for him to record a selection of Christmas songs for release on an album, or at least The Colonel and RCA thought so.

In the 1950s artists including Frank Sinatra, Bing Crosby, Perry Como and even Gene Autry had all recorded and released Christmas albums. However, Elvis wasn't that excited about the thought of recording a selection of festive material.

At this time his priority was to attempt the song Treat Me Nice again, in an effort to produce a better version than the one he'd recorded a few months earlier for Jailhouse Rock, and also make a further attempt at One Night. There was also My Wish Came True and another song, the ballad Don't, from the song-writing team of Leiber & Stoller who had already provided several hits for him.

Read the full article here...

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ELVIS ON TOUR
First published 8 February 2023


Written, produced and directed by Pierre Adidge and Robert Abel, Elvis On Tour, Elvis' 33rd movie, was released by Metro-Goldwyn-Mayer on 1 November 1972.

Colonel Parker had already planned the next major event in Elvis' career, the televised Aloha From Hawaii via Satellite special, which had been scheduled for mid-November. To avoid clashing with the release of Elvis On Tour, MGM executive James T. Aubrey, requested that the special be delayed. Fortunately Parker agreed and the special was postponed until January the following year.

Unlike his previous concert film, That's The Way It Is, which concentrated on his August 1970 Las Vegas appearances, the new concert documentary followed him on his fifteen city spring 1972 tour.

Read the full article here...

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TAKE ME TO THE FAIR
First published 6 April 2023


Released in April 1963, It Happened At The World's Fair was Elvis' twelfth motion picture and to celebrate sixty years since its release we look back at the movie and the soundtrack.

Elvis travelled to Hollywood on 28 August for pre-production work on It Happened At The World's Fair. It was the first film in a four-picture deal with MGM. The film's producer, Ted Richmond, wanted to follow the success of previous Hal Wallis produced Elvis movies, choosing colourful locations in which to set the story. He also called on the services of Norman Taurog, Elvis' favourite director. The screenplay was written by Si Rose and Seaman Jacobs.

Read the full article here...

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MEMPHIS HOMECOMING
First published 19 March 2024


On 1st March 1974 Elvis Presley hit the road for his longest concert tour since the mid-1950s. The tour, which ran from the 1st to the 20th of March, would see Elvis play twenty-one concerts across the southern states with sold-out shows in Tulsa (Oklahoma), Houston (Texas), Monroe (Louisiana), Auburn (Alabama), Montgomery (Alabama), Charlotte (North Carolina), Roanoke (Virginia), Hampton Roads (Virginia), Richmond (Virginia), Greensboro (North Carolina), Murfreesboro (Tennessee), Knoxville (Tennessee) and Memphis (Tennessee).

At Houston, Charlotte and Knoxville, Elvis would play afternoon and evening shows while in Tulsa, at the opening of the tour, he played shows on two consecutive days. The first concert in Monroe sold out so fast that two additional shows, a few days later, were added. It was a similar story in Richmond and Murfreesboro where a second date was scheduled.

This brings us to Memphis and Elvis' first appearances in his hometown since the charity show held at the Ellis Auditorium back in 1961.

Read the full article here...

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ELVIS UK EXTENDED
First published 17 April 2024


ust published is a new book on the various Elvis Presley Extended Play albums released in the UK. In this article I will be reviewing the book but first a look back at the authors previous work. 

As far back as 1980 friends and co-writers John Townson and Gordon Minto had been writing about Elvis Presley, although it would be a few years before they would publish their first book in, what would become, the ELVIS UK series.

Published by Blandford Press in 1987, ELVIS UK - The Ultimate Guide To Elvis Presley's British Record Releases 1956-1986 was greeted with critical acclaim by not only Elvis fans but also music journalists and rightly deserved being referred to as 'the Bible' when it came to Elvis releases. Despite its retail price of £45 it soon became highly collectable and sought after.

Read the full article here...

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ELVIS - TODAY @50
First published 13 March 2025


Elvis Presley's last visit to a recording studio was in March 1975 where he recorded tracks that would find a release on the Elvis Today album. It is fifty years since these sessions and in this article I will be looking back at the recording sessions, the original album and single releases, chart success and the subsequent releases that have featured outtakes.

His last studio sessions were back in December 1973 at Stax in Memphis and the only recordings made during 1974 were the live recordings in Memphis and RCA were pressuring him for material for a new album and singles.

The RCA Studios on 6363 Sunset Boulevard, Hollywood were booked from 10 March through to the 12 March. Elvis had previously worked there back in 1972 when he recorded material including Burning Love, Always On My Mind, Separate Ways, Fool and It's A Matter Of Time. It seemed the ideal choice to record there as he would also be rehearsing for his upcoming Las Vegas appearances.

Read the full article here...

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Hope you enjoy the articles and please support my work and follow me here. You can also add your comments to the various articles. If you have any questions or suggestions you can message me through the Contact Form on the main page of this blog. 

Look out for more Elvis related articles in the future.


29 July 2026

HISTORY ARTICLES - UPDATED

I recently set up a new profile on my instagram account which concentrates on my interest in World War One, World War Two and my relevant photography... @ww1.ww2_history_photography


This blog has also included a few articles on history and my various Leger Battlefield Tours to Belgium and France and has been updated with two more trips I have made.

This updated article aims to promote those I have featured on this blog over the past few years. They are listed below with the title, date first published, an image, a short excerpt and the link to the full article.



ORADOUR-SUR-GLANE
First published 5 March 2021


Oradour-sur-Glane was a small idyllic village, with a population of around 350, located approximately 15 miles north-west of Limoges which, on 10 June 1944, was the site of one of the worst crimes against civilians in occupied France.

Following the allied landings on 6 June 1944, along the beaches of Normandy, efforts by the resistance increased with the aim to disrupt German supplies and communications. Any organised attacks against German military personnel or property was met with brutal consequences resulting in members of the French resistance or sympathizers being killed or sent to concentration camps. Field Marshal Gerd von Rundstedt, Commander-in-Chief for the West, ordered that the resistance must be crushed, swiftly and with ruthless initiative.

There has been much speculation as to why Oradour-sur-Glane was subject to such a horrific massacre, especially when no German troops occupied the village and it seemed likely that the war would pass it by. Of course, as we shall see, this couldn't be further from the truth.

A number of reasons have been given... the killing of German troops by the resistance or an attempt to blow up a bridge at the nearby village of St. Junien. However, the most common theory was the abduction and execution of SS Sturmbannfuhrer Helmut Kampfe.

Read the full article here...


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D-DAY LANDINGS IN NORMANDY
First published 13 June 2022


An early start saw us heading the short journey to Pegasus Bridge, originally the Benouville Bridge, the site of the first action of D-Day.

Led by Major John Howard, a force from the Oxfordshire and Buckinghamshire Light Infantry and a platoon of Royal Engineers, landed in fields close to the bridge in three Horsa Gliders at 00:16 on 6 June. The defending Germans were taken by surprise and within ten minutes the bridge was in Allied hands. 

Reinforcements from the 7th Battalion Parachute Regiment soon arrived. One member of the regiment was actor Richard Todd who would go on to play the role of Major Howard in the film The Longest Day.

The bridge was renamed Pegasus Bridge in late 1944 in honour of the operation and the name was taken from the shoulder emblem worn by the British Airborne Forces, Bellerophon riding the winged horse Pegasus.

The original bridge was replaced in 1994 and is now housed in the grounds of the nearby museum along with a replica Horsa Glider.

Inside the museum you can follow the story of the capture of the bridge with hundreds of items related to that first attack including uniforms, equipment along with scores of photos and information boards.. A very interesting museum that would take several hours to read and view every item.

Read the full article here...


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DUNKIRK AND FORTRESS EUROPE
First published 5 August 2023


Following Hitler's invasion of France on 10 May it was only a matter of a few days before his Panzer Divisions had moved through Northern France towards the coast. The British Expeditionary Force (BEF) and French Army were trapped in a pocket and were forced to retreat to Dunkirk.

Forced back towards the coast they formed a perimeter along the canals and both the Royal Welch Fusiliers and Durham Light Infantry were ordered to defend and hold Robecq, Saint Floris and Saint Venant.

This first stop was an opportunity to see the canal area at Saint Venant defended by the Royal Welch Fusiliers and Durham Light Infantry and the memorial. We also visited the Communal Cemetery where many of those killed in Saint Venant are buried.

Moving on to Cassel Hill we examined the last stand of the Gloucestershire Regiment and the Oxfordshire and Buckinghamshire Light Infantry. They had reached Cassel on 25th May and were ordered to hold the western and eastern halves of the town. The plan was to hold the line to allow the BEF to be evacuated from the Dunkirk beaches.

Despite early success in holding the Germans back, continuous heavy air and ground attacks reduced much of the town to ruins. Most of the regiments men were either killed or taken prisoner. However, they had succeeded in delaying the German advance giving the troops in Dunkirk the much needed time to get off the beaches.

Read the full article here...


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WAR BY TIMETABLE
First published 26 August 2024


An early breakfast and then we set off to our first stop of the day, the Steam Railway of the Three Valleys in Belgium whose name derives from the three rivers the line follows, the River Eau Blanche, River Eau Noire and River Viroin. It is a non-profit society that operates the service which connects with the Belgian rail network at Mariembourg.

A specially arranged journey on a period steam train saw us travel the 14 kilometre journey from Mariembourg via Nismes, Olloy-sur-Viroin and Vierves to Treignes, the last station before the French border. The line does continue the 2.5 kilometres to the border but is not used anymore. An enjoyable journey with great views of the Belgium countryside from our carriage. The staff at the station and onboard the train were excellent and very helpful.

At the end of the journey there was time to look around the museum which was very interesting with its collection of various trains, both steam and electric, along with items of railway memorabilia.

Following a quick lunch, Croque Monsieur and a refreshing drink, in the cafe at the station in Treignes we headed out of Belgium and to our next stop in France.

At La Capelle we visited the memorial marking the spot where the German parliamentarians crossed the French lines seeking an Armistice on 7 November 1918.

Read the full article here...


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OPERATION MARKET GARDEN
First published 18 October 2025

Back in July I went on my sixth Leger Battlefield Tour... Operation Market Garden, the September 1944 military operation aimed at securing a number of bridges in The Netherlands. I was accompanied by my good friend and fellow history enthusiast John Chisholm and in this article I look back at the tour, highlighting the various sites we visited along with a brief overview of what happened during those few days in September. I am also including some of the many photos I took during the tour. 

Operation Market Garden, which lasted nine days from 17th to the 25th September, was General Bernard Montgomery’s attempt to end the war before Christmas, by launching a ground offensive through The Netherlands into Germany with the route secured by Airborne forces.

Market was the Airborne side of the operation by the 101st and 82nd US Airborne Division and 1st British Airborne Division who would land by glider and parachute at various drop and landing zones, with the intention to secure the bridges along the route.

Garden was the ground offensive by the British XXX Corps who would advance across the bridges and over the Rhine. The main bridges were at Eindhoven, Nijmegen and Arnhem with smaller bridges at Veghel and Grave.

Although most of the bridges were captured the plan eventually failed. The British 1st Airborne Division found itself embattled at Arnhem waiting for XXX Corps, a battle in which only 2,000 Airborne troops would escape out of 10,000.

Read the full article here...


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ALL QUIET ON THE WESTERN FRONT
First published 1 July 2026

An early start saw us heading to Folkestone where we boarded our tour coach before taking the short journey to Dover and the ferry crossing to Dunkirk. 

We were booked in for four nights at the Hotel & Aparthotel Alize in Mouscron, a lovely hotel with great facilities, staff and only a couple of minutes walk from the town square, restaurants and bars. It was also central for our planned visits over the following few days.

On our way to the hotel we made an unplanned stop at Lijssenthoek Military Cemetery about a mile from the Belgian city and municipality of Poperinge in the province of West Flanders.

The cemetery contains 9,901 Commonwealth burials from the First World War with 24 unidentified. There are a further 883 war graves, mostly French and German. 

During our brief visit we visited the grave of Staff Nurse Nellie Spindler who had joined the Queen Alexandra's Imperial Military Nursing Service and in May 1917 went across to France. At first she was stationed at a hospital in Abbeville before transferring to No. 44 Casualty Clearing Station which, in July 1917, was based in Brandhoek, Belgium, close to the frontlines.

On 21 August 1917 the hospital was shelled throughout the day and Spindler was knocked unconscious by an exploding shell. Despite efforts to save her she died less than 30 minutes later in the arms of another nurse.


Read the full article here...


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Hope you enjoy the articles and please support my work and follow me here and on my instagram profile... @ww1.ww2_history_photography.

You can also add your comments here and if you have any questions or suggestions you can message me through the Contact Form on the main page of this blog. 

Look out for more World War One and World War Two related articles in the future.



22 July 2026

THE SURVIVORS

April 1981 found Cash on one of his regular tours of Europe. Opening with a show on 17th April in Stockholm, Sweden it ran for ten days with shows in Hamburg, Stuttgart, Frankfurt, Cologne, Paris, Rotterdam and an appearance at the Wembley Country Music Festival in London.

Cash’s regular touring band of the time accompanied him - Bob Wootton (guitar), W. S. Holland (drums), Marty Stuart (guitar & mandolin), Jerry Hensley (guitar), Earl Ball (piano), Jack Hale Jr and Bob Lewin (trumpet and French horn) although the bass player on this ocassion is one of Nashvilles finest, Henry Strzelecki. Also joining them was Jerry Lee Lewis, Carl Perkins and Lewis' guitar player, Kenneth Lovelace, who, as we shall see, joins Cash for several tracks.

During the show at the Sporthalle in Boblingen, Stuttgart the audience were treated to one of those rare moments that turns a great concert into an unforgettable experience.


It was during the interval that Cash was informed that two of his old Sun Records buddies, Carl Perkins and Jerry Lee Lewis, were in the building. Although we shall see later that this was not the impromptu gathering it was hyped up to be, they were certainly not going to miss an opportunity to appear on stage together. 

When Cash returned to the stage for the second half of his performance the audience were not aware that he would soon be joined by two more legendary figures. 

In the sleevenotes to the album The Survivors, Cash talked about the show “Carl’s and Jerry Lee’s appearance with me in Stuttgart, Germany on April 23, 1981 was a total surprise to the audience. We had been appearing separately in various cities doing music festivals. And on the 23rd, they happened to have a night off. Midway into the first show in Stuttgart, June Carter caught my eye from the sidelines and gave me the message that Carl and Jerry Lee were there. At intermission, my producer Lou Robin brought us together backstage. I asked them to sing with me on the second half of the show.”

The show was taped and produced by Cash’s future son-in-law, Rodney Crowell whose job it was to take the raw unedited tapes and mix them suitable for release. On listening to the finished album we owe Crowell a big thank you and as John wrote in the sleeve notes, “My hat is off to Rodney Crowell who took this tape and edited and mixed it.”

The Survivors (Columbia FC 37961) was released in April 1982. The album entered the charts at #29 and during a 13-week chart run it reached #21.



The album opens with a fine version of the Cash original Get Rhythm and is followed by a rare live version of another old Sun track, the Stan Kesler and Charlie Feathers composition I Forgot To Remember To Forget. Both originally released on the Sun Records label in the 1950s... Get Rhythm was the b-side of I Walk The Line released in 1956 and I Forgot To Remember To Forget was the b-side of the 1959 single Katy Too.

On both of these tracks Cash, with much more instrumental accompaniement than appeared on the original recordings, manages to breathe new life into them.

It is at this point that Cash introduces Carl Perkins and together they pay tribute to Sun Records owner and producer Sam Phillips with a blistering version of Goin’ Down The Road Feeling Bad that features some excellent guitar picking from Perkins and support from the rest of the band. A traditional song that was first recorded by Henry Whitter under the title Lonesome Road Blues in 1923. Subsequent recordings included those by Woody Guthrie, Doc Watson, Bob Dylan and the Grateful Dead.

They follow with another duet on the Gene Autry composition That Silver Haired Daddy Of Mine which was Autry's first hit record in 1932. Cash had previously recorded and released the song on his Last Gunfighter Ballad album back in the seventies. He introduces the song by saying, “We want to do a song for daddy. My daddy, Carl’s daddy for all the daddies out there!” The song was also covered by The Everly Brothers on their 1958 album Songs Our Daddy Taught Us and Simon & Garfunkels Old Friends.


Cash hands over the spotlight to Carl who turns in a strong performance of Matchbox, a song he recorded in December 1956 and was released as the b-side to Your True Love the following year. The recording session became a milestone in rock 'n' roll history as it was on this date that an impromptu jam session took place with Carl along with Jerry Lee Lewis, Elvis Presley and Johnny Cash which became known as The Million Dollar Quartet.

Cash returned to invite Jerry Lee Lewis to join them. In his introduction Cash says, "One of the greatest talents I've ever known, I never have ceased to love to enjoy watching him. That was twenty-five, twenty-six years ago. My friend, Carl Perkins friend, ladies and gentlemen, the best, Jerry Lee Lewis."

Lewis joins them on the Albert Brumley gospel standard I’ll Fly Away, a hymn written sometime between 1929 and 1932. One of the first recordings of the hymn was by The Selah Jubilee Singers and it has been recorded by many artists over the years including The Chuck Wagon Gang, James & Martha Carson and George Jones. Lewis, Cash and Perkins each take a verse and join forces on the chorus. It also gives Lewis the opportunity to show off his skill at the piano during the instrumental breaks.

Lewis shines again on his two solo numbers, Whole Lotta Shakin’ Goin’ On and Rockin’ My Life Away. Whole Lotta Shakin' Goin' On was written by Roy Hall (under the name Sunny David) and Dave 'Curly' Williams and first recorded in 1955 by Big Maybelle. It became Lewis' second single with It'll Be Me as the flip-side released in April 1957. Rockin' My Life Away, a Mack Vickery composition, was recorded in January 1979 and released later that year on his Jerry Lee Lewis album.

Perkins returns for his signature song Blue Suede Shoes, written by Perkins, recorded in December 1955 and released as a single in January 1956 backed with Honey Don't, another Perkins composition. A rock 'n' roll standard that has been covered many times over the years, most notably by Elvis Presley. Another standout performance by Perkins after which all three artists take the stage for a selection of gospel material.


With three of the original Million Dollar Quartet present it seemed fitting that they should dedicate a song to the memory of Elvis Presley who passed away on 16 August 1977. Lewis opens their sincere performance of Peace In The Valley with Cash and Perkins joining in on the chorus. Cash takes the second verse and following a subdued piano solo from Lewis it is the turn of Perkins to sing the final verse. The song was written in 1939 by Thomas A. Dorsey and first recorded by Mahalia Jackson. A gospel standard which all three artists on stage that night had recorded previously. One of the highlights on the album and a great tribute to the memory of Elvis.

The Carter Family favourite Will The Circle Be Unbroken is up next. Originally a popular hymn written in 1907 by Ada R. Habershon and Charles H. Gabriel, it was reworked as a funeral hymn by A. P. Carter and released in 1935 by The Carter Family. Jerry Lee Lewis kicks off the song with Cash and Perkins joining in on the chorus and then they all take turns on the verses.

The album is brought to a close with a rousing I Saw The Light, a country/gospel song written by Hank Williams and recorded by him in 1947. Cash, Perkins and Lewis are joined by June Carter Cash, John Carter Cash and Cindy Cash. Once again there is some great piano playing by Lewis. The track brings the album to a close in true style.

Among the tracks that did not make it onto the album The Survivors were Rockabilly Fever by Carl Perkins, Boogie Woogie Medley by Jerry Lee Lewis and When The Saints Go Marching In performed by the entire cast. Add to this the rest of the Johnny Cash segment of the show which included fine performances of A Thing Called Love, Big River, Sunday Morning Coming Down, Without Love, Doin’ My Time, accompanied by Marty Stuart, and a solo reading of Hey, Hey Train by Stuart and you have all the makings of a great expanded CD!

On The Survivors album some of the songs run in a different order to how they were performed on the night.

The complete set-list for the Stuttgart show was -  Ring of Fire/Ring of Fire (reprise)/A Thing Called Love/Sunday Morning Coming Down/Folsom Prison Blues/Without Love/Doin' My Time/The Baron/If You Want Me Dear (Jerry Hensley)/Hey, Hey Train (Marty Stuart)/I Walk The Line/The Ballad Of Ira Hayes/Don't Take Your Guns To Town/Big River/Lay Me Down In Dixie (with Cindy Cash)/City Of New Orleans (Cindy Cash)/Battle Of New Orleans (John Carter Cash)/(Ghost) Riders In The Sky/If I Were A Carpenter (with June Carter)/Wabash Cannonball (June Carter)/San Antonio Rose (instrumental)/Gold Watch And Chain (June Carter)/Rabbit In The Log (June Carter)/Wildwood Flower (June Carter)/Hoedown (instrumental)/Jackson (with June Carter)/Rockabilly Boogie (Earl Ball)/Frankie And Johnny/I Forgot To Remember To Forget/Get Rhythm/Goin' Down The Road Feelin' Bad (with Carl Perkins)/Silver Haired Daddy Of Mine (with Carl Perkins)/Matchbox (Carl Perkins)/Rockabilly Fever (Carl Perkins)/Blue Suede Shoes (Carl Perkins)/I'll Fly Away (with Carl Perkins and Jerry Lee Lewis)/Will The Circle Be Unbroken (with Carl Perkins and Jerry Lee Lewis)/Boogie Woogie Medley (Jerry Lee Lewis)/Whole Lotta Shakin' Goin' On (Jerry Lee Lewis)/Rockin' My Life Away (Jerry Lee Lewis)/When The Saints Go Marching In (with Carl Perkins and Jerry Lee Lewis)/Peace In The Valley (with Carl Perkins and Jerry Lee Lewis)/I Saw The Light (with Carl Perkins and Jerry Lee Lewis).


In his review of the album in Country Music People (June 1982) Tony Byworth wrote, "The Survivors is the Million Dollar Quartet, minus one, a quarter of a century on. No explanations are necessary for the album’s title, the music counts the most. Recorded April ’81, in Stuttgart, this is Johnny Cash in concert, who at the last moment and without rehearsal is joined by his former Sun Records stable mates Carl Perkins and Jerry Lee Lewis. It’s a memorable capturing of talents on record, with the music throughout dating back to that golden era of the Memphis days. Of course, Cash and Perkins have recorded before, as well as passing a substantial period of time together on the road. The presence of Jerry Lee Lewis, though, adds one of those bonuses that only comes up occasionally in a lifetime. In their seperate rights each artist comes up with what’s expected of him; Cash laying down a couple of his standards with the familiarly rough yet warm vocal styling, Perkins lays down a couple of rockabilly classics with “Matchbox” sounding as great as it ever did (and the guitar work being spot on); and Lewis amazing with that boogie woogie piano styling and that incredible manner of jettisoning his lyrics. Cash and Perkins do a couple of duets, standard play of the years spent together, when each it seemed sought to save the wasted life of the other, and then the trio join forces for a set of songs that are a common stomping ground---gospel songs. (One of them, “Peace In The Valley”, is dedicated to the memory of Elvis Presley, the non-survivor)."

He went on to say, "There’s nothing clever about the album, and its inventiveness isn’t contemporary. It dates back to the 1950’s. But throughout its 41 minutes running time it’s packed with good music and fun, with the friendship showing through. After it was all captured on tape, Rodney Crowell did a perfectionist’s job on the mixing, with a package being completed with Cash’s liner notes centering upon the survivors."

He concludes: “Here’s hoping the new generation survives the 80’s and 90’s along with us, the other Survivors”. I added my own postscript wondering just how many of the newcomers on today’s music scene would be able to come up with an album like this in 25 years time?"

Fred Schruers, in the 27 May 1982 Rolling Stone magazine, reviewed the album although he only awarded the album 3 our of 5 stars.. "As Johnny Cash's slyly funny liner notes explain, this legendary trio’s impromptu show in Stuttgart, Germany, last April is a first-take, unrehearsed affair — the three all just happened to be playing at a European music festival. Each man sings at least one signature tune (e.g., Perkins’ “Blue Suede Shoes”) and they team up on several ready-at-hand chestnuts from country music’s public domain of warmhearted cornpone (“That Silver Haired Daddy Of Mine”) and old-time religion (“I Saw The Light”)."

The rest of the review read, "The results are mixed. Cash, as always, sounds like a comfortable, potent icon. Stuttgart was his date, and he runs the show, cooing to his cronies and speaking to the crowd in knock-kneed German. Perkins huffs through his vocal turns, shaky though somehow compelling. But it’s when Cash brings on “das best” — Jerry Lee Lewis — that things really heat up. Lewis’ pumping piano invigorates the band and — just as when he vied to dominate Sun Records’ Million Dollar Quarter with Perkins, Cash and Elvis Presley twenty-six years ago — his self-involved hollering makes for some real excitement."

Billboard reviewed the album in their 3 April issue, "Taped during a surprise guest spot by the Killer and Carl Perkins during a Johnny Cash show in Stuttgart, Germany, this set is ragged but right, it's impromptu air offset by Cash's crack band, an enraptured audience and the sheer force of the three featured artists."

In 1985 the album was reissued on Hallmark Records (SHM 3180), a budget label in the UK, sporting a different cover. It's first appearance on CD was on the Razor and Tie label with the original artwork and it was also included on the Johnny Cash The Complete Columbia Albums Collection in 2012.

As mentioned earlier, although it is claimed that this was an impromptu appearance both Perkins and Lewis had appeared with Cash a few days earlier during his show in Rotterdam. At that show they performed a medley of Matchbox, Whole Lotta Shakin’ Goin’ On and Blue Suede Shoes and a gospel medley of I’ll Fly Away, I Saw The Light and Daddy Sang Bass.

The 19 April Rotterdam show and the complete 23 April Stuttgart show have appeared unofficially on CD many times on different labels and sporting different cover designs.

The tapes of the complete and unedited Stuttgart show must exist in the vaults and hopefully Sony/Legacy will consider this album for an upgrade as it is long overdue.