12 September 2023

REMEMBERING JOHNNY CASH

The 12th September 2023 marks the 20th anniversary of Johnny Cash's death and I wanted to pay tribute to a man and artist whose music meant so much to me and was a major influence in my own career as a writer, journalist and consultant. For twenty-five years I ran the Johnny Cash Fanzine and during that time was fortunate to meet and interview many people associated with his career as well as become friends with many of those who subscribed to the magazine. It is a time I will never forget.

I considered many different articles to remember him and could have written about his early career at Sun Records, his Columbia albums, the prison concerts, his work with Rick Rubin or any number of other aspects of his career. However, I have decided to look back at his final concert here in the United Kingdom and meeting him backstage.

American Press Photo

Back in May 1995 Carole and I were given complimentary tickets to Cash's show at the Royal Albert Hall in London. There was also a chance we could go backstage after the show and meet him. A great show although, as was mentioned in a later press release from American Records, he performed the show in great discomfort from a damaged facial nerve. Following the show he returned to America and the remaining dates of the tour were cancelled.

Although we were disappointed we didn't get the opportunity to meet him after the show, we still went backstage and met up with a few of the band members.

In September 1995 Cash returned to fulfill the cancelled European dates although none were scheduled for the UK. It would be another nineteen months before he would return to the UK for a concert.


Press Ad

His only UK date was a return to the Royal Albert Hall on 25 April 1997, which would be his last live appearance in the UK. Carole and I were fortunate to have been given complimentary tickets by Joe O'Neil, the UK representative of American Recordings at the time, who also arranged a meeting with Cash before the show. 

Ticket Stub and Guest Pass

The support act was American singer-songwriter Jewel whose debut album, Pieces Of You, released in 1995, became one of the biggest selling debut albums of all time. Her debut single, Who Will Save Your Soul, reached #11 on the Billboard Hot 100, while her next two singles, You Were Meant For Me and Foolish Games, both peaked at #2.

In 2018 she would appear on the Forever Words album, a collection of poetry and lyrics by Johnny Cash set to music. Jewel performed the song Body On Body.

I wasn't aware of her music but enjoyed her solo acoustic selection of alternate-folk songs. She closed her set with the old-time Chime Bells, written by Elton Britt and Bob Miller and first recorded in 1934 by Britt and Ezra Ford, which she dedicated to Cash, a nice gesture to end her part of the evening.

A short interval and then it was time for the main event. Dressed in his signature black, Johnny Cash strode onto the stage and introduced himself with his customary, "Hello, I'm Johnny Cash."

The two-hour show opened with Folsom Prison Blues and followed the familiar pattern of hits, duets with June Carter-Cash and recently recorded material.

Backing Cash were regulars Bob Wootton (guitar), Dave Roe (bass), W. S. Holland (drums), Earl Poole Ball (piano) and John Carter-Cash (guitar).

There was a surprise midway through the show when Cash introduced Nick Lowe who joined him on stage to sing Without Love, a song written by Lowe and which Cash had included on his 1980 album Rockabilly Blues

A Cowboy's Prayer was the only track performed from Cash's American Recordings album while Unchained, his latest release, was represented by strong versions of Country Boy, I Never Picked Cotton, Unchained, Southern Accents and Soundgarden's Rusty Cage. The show ended with I Got Stripes before Cash returned to take his final bows.

Photograph (c) Dave Fagen

The full set-list of the show was: Folsom Prison Blues/(Ghost) Riders In The Sky/Get Rhythm/A Cowboy’s Prayer/These Hands/Country Boy/I Never Picked Cotton/Unchained/Ring Of Fire/Great Balls Of Fire (Earl Ball)/I Walk The Line/Guess Things Happen That Way/Without Love (with Nick Lowe)/Big River/Paradise (with John Carter-Cash)/Orange Blossom Special/Jackson (with June Carter-Cash)/If I Were A Carpenter (with June Carter-Cash)/Daddy Sang Bass/Far Side Banks Of Jordan (with June Carter-Cash)/Sunday Morning Coming Down/Southern Accent/Rusty Cage/The Wall-Long Black Veil/I Got Stripes 


Reviews were excellent with Douglas McPherson writing in Country Music People, "What do you expect of Johnny Cash these days? A tired cabaret routine? A tragic parody of former glories? A wrinkly shell living on his name? Forget it. From the moment JC sauntered on stage it was clear he Man in Black was far from ready for retirement." He went on to say, " He has seen his share of ill health but his step had the spring of a man who, in his own words, was 'feeling good' again."

In his review Chris Marlowe wrote, "Watch and learn, aspiring musicians everywhere, because this is how it should be done. Johnny Cash has it all - paternal gravitas, songs that capture essential truths in less than five minutes, a voice as dark and sweet as molasses, and a glint in his eye that promises his demons aren't quite tamed."

The concert was one of the best I had ever seen, and I had been to more than ten Johnny Cash concerts since my first in March 1979.

But what happened before the show will remain one of the highlights of my career. Arriving early to the Royal Albert Hall we were met by Joe O'Neil, from American Recordings, who took us backstage where we met Johnny Cash. I thought I would be more nervous but from the moment he first said hello any worries I had disappeared. We chatted for a few minutes before he had to head back to prepare for the show.

One of the kindest and sincerest artists I have ever met and his comments about the Fanzine. my work and his kindness shown to both Carole and I will stay with me forever.

He was kind enough to not only sign a photo for Carole and I but also pose for a photo holding a copy of the Fanzine. Both of these take pride of place in my home office.

Photograph (c) Dave Fagen

We also had the chance to meet up with Bob Wootton and Earl Poole Ball, both of whom I had previously interviewed for the Fanzine. Once again they were so kind and happy to take time to chat and have a photo taken with us.

Photograph (c) Dave Fagen

Although we didn't get the opportunity to have a photo taken with them, we did get the chance to say a brief hello to June Carter-Cash and John Carter-Cash.

An incredible night and meeting John, June, Bob and Earl only made the evening even more special.

As I mentioned in my opening paragraph I ran the Johnny Cash Fanzine for twenty-five years between 1994 and 2019 and covered every aspect of his incredible career including interviews with family members and those who worked with him over the years. All 93 issues are still available in PDF format and for more details please message me here or email me at peter.lewry@ntlworld.com


05 September 2023

COLLECTING MUSIC & FILM MEMORABILIA

My love of music dates back to the early-seventies and over the fifty years that followed my music collection has gone from vinyl and cassettes to Compact Discs and, despite not being a great fan of the medium, digital downloads.

Anyone that knows me will know that I have a wide taste in music and listen to everything from rock 'n' roll to blues, country, Americana, country rock, pop and even jazz and orchestral. To be honest the only styles I am not interested in are rap and opera.

Just a few of my favourite artists are Elvis Presley, Johnny Cash, Linda Ronstadt, Emmylou Harris, Gram Parsons, Fleetwood Mac, The Beatles and The Beach Boys, although this is only a small section of my music tastes.

I also enjoy films although my tastes are the films from the 40s, 50s, 60s and 70s rather than the big blockbusters from the past few decades. However, there are still some favourites from the later years with Die Hard being top of my list. My favourite male and female movie stars all date back to the great days of Hollywood... James Stewart and Gene Tierney. You can read more about Gene Tierney here on my blog in the article Gene Tierney - Hollywood Beauty.

Although not an avid collector who has to have everything, I do collect items of music and film memorabilia including promo CDs, press photos, sheet music, lobby cards and press books. A few items from my collection are pictured below.


This brings me to books on collecting music and film memorabilia of which I have several in my library including The Lyle Price Guide - Film & Rock 'n' Roll Collectables by Tony Curtis,  The Elvis Collector - An Introductory Guide To Collecting UK Film Memorabilia 1956-1977 and The Elvis Collector - An Introductory Guide To Collecting UK Memorabilia 1956-1977 the latter two compiled and written by Harry Carrigan.

I recently received three books from Schiffer Publishing which cover Elvis Presley, The Beatles and Sheet Music from the 1960s, all three of which are reviewed below.

Elvis Presley Memorabilia - An Unauthorized Collectors Guide (Sean O'Neil) (Schiffer Publishing 2001 - ISBN 0-7643-1382-7) 


Following a brief introduction which covers prices and counterfeit items the 160-page book is split into seven chapters which cover Elvis' career - Elvis In Concert, Elvis Presley Enterprises and Novelty Items, Sun Records and RCA Victor Records, Magazines, The Movies, One-of-a-Kind and Autographs, Photos and Other Paper. Each chapter opens with a short introduction.

The Concert section features early press ads, photo albums that were sold at the concerts, ticket stubs and much more. Moving into the seventies there are more ads and souvenir photo albums, a few which I still have in my own collection.

The items produced by Elvis Enterprises ranges from the sublime to the ridiculous with record cases, photo cards and record players to jewellery and even  'I Like Elvis' and 'I Hate Elvis' badges, the Colonel certainly catered for both camps.

The Records section was of special interest to me as I love the old RCA ads and various sheet music featured.

Of the remaining sections there are various magazines from the 1950s through to the 1970s, movie posters, lobby cards and advertising, rare items that don't fit in any other part of the book, so are given their own chapter and finally some festive items. Christmas was a special time for Elvis and every year the Colonel produced a postcard, some classy and others less so... Elvis in a jumpsuit by a Christmas tree!

The book is beautifully produced, with mostly colour illustrations and includes a brief description of each item along with the then current values.


The Beatles Yesterday & Tomorrow - A Collector's Guide To Beatles Memorabilia (Courtney McWilliams) (Schiffer Publishing 1999 - ISBN 0-7643-0852-1) 


A preface explaining condition of memorabilia and an introduction that covers the early days of the group in Liverpool and Hamburg is followed by nine chapters covering various areas of collecting. Over 210-pages  the book covers - Vintage Beatles, All Movie Memorabilia, Fan Club Memorabilia, Jewellery, The Beatles As Art, Music Mediums, Ephemera, Solo Efforts and Something New.

Following the same format as the Elvis book this is a treasure trove of Beatles memorabilia, beautifully illustrated with an introduction to each chapter and every item has a brief description and guide to value.

I really enjoyed the sections on the movies with all the posters, lobby cards, press ads and stills. The records section includes the well known UK releases but also the albums released on Capitol in America, Beatles '65, The Early Beatles and Beatles VI. The infamous 'Butcher Cover' which was originally planned to be the cover of the Capitol album The Beatles Yesterday and Today is also included. One of the rarest Beatles items that nowadays is almost impossible to find and is worth at least the $6,000 - $12,000 value quoted for a copy in mint condition.

Like Elvis Presley there are items that fall into the same category... from the sublime to the ridiculous. Beatles wigs, masks, lunch boxes, thermos flasks and, depending who your favourite band members was, badges with 'I Love Paul', 'I Love John', 'I Love George' and 'I Love Ringo'. I couldn't see any 'I Hate The Beatles' badges and maybe none were ever produced.

A chapter on their solo work seems to devote more pages to John Lennon than Paul, George or Ringo which is had to understand when you look at the amount of solo work released by the other three ex-Beatles.

The final chapter, Something New, covers some of the more recent items available and those issued after the break-up in the 1970s.


Collecting Rock 'n' Roll Sheet Music Of The 1960s  (Valerie Carallo) (Schiffer Publishing 2006 - ISBN 0-7643-2373-3) 


Split over 176-pages this book includes an introduction which explains what sheet music is, the differences between USA, UK and Australian sheet music and value and condition. The book then covers seven different genres of music - Twist and Shout (The Beatles), Wipe Out (Surf and Folk), Psychotic Reaction (Garage, Hard Rock and Psychedelia), Lightnin' Strikes (Pop and Rock), Going To A Go-Go (R&B, Soul and Motown), Catch Us If You Can (The British Invasion) and Thank U Very Much (Bubblegum, Girl Groups, Novelty Songs etc).

I particularly enjoyed the chapter on The Beatles with many great cover images and designs including those for Ask Me Why, A Day In The Life, Till There Was You, Girl and Back In The U.S.S.R. A few foreign items are displayed... Tu Mano Cogere (I Want To Hold Your Hand) from Spain, Elle (Il) T'Auime (She Loves You) from France and the German issue of Twist im Blut (Twist And Shout).

Many of my favourite artists are covered in the book with The Beach Boys featured heavily with Sloop John B, Dance Dance Dance, The Man With All The Toys, God Only Knows and my personal favourite sheet music cover from the group, Surfer Girl.

With over 600 illustrations there are too many to cover in this review. However, besides those already mentioned these are just a few of my personal favourites... Rainy Day Women #12 & 35 (Bob Dylan), Mrs Robinson (Simon & Garfunkel), I'm A Boy (The Who), These Boots Are Made For Walking (Nancy Sinatra), Alternate Title (The Monkees), A Boy Named Sue (Johnny Cash) and Ode To Billy Joe (Bobbie Gentry). The latter has the title misspelled as the title is actually Ode To Billie Joe.

Being a big fan of Linda Ronstadt I couldn't end this review without mentioning the inclusion of Different Drum by The Stone Poneys which features the lovely Linda on the cover.

Many of those, me included, who collect sheet music are not buying them because they can read music but because of the images featured on the covers many of which were rare and differed from the image featured on the 45rpm single. 

Like the Elvis and Beatles books this one is beautifully produced, illustrated in full colour and printed on high quality, glossy paper. Each chapter has a brief introduction and, like the previous books, includes a description of each item featured along with a guide to the value.

I really enjoyed going through these books and seeing the amount of items that were produced with the names Elvis Presley and The Beatles, some tacky and some very collectable. I wonder how many of the items have survived in their original packaging and in mint condition. Likewise, the sheet music book, was a fascinating insight into what is still a very collectable market.

Although all three books were originally published between 1998 and 2006 they can still be found on various sites on the internet and if you are like me and find this kind of information fascinating then I recommend checking them out.

With thanks to Victoria Hansen at Schiffer Publishing Ltd for providing copies of the books for this article.

05 August 2023

DUNKIRK AND FORTRESS EUROPE

I recently went on my fourth Leger Battlefield Tour and this time it was to visit Dunkirk and the various rocket launch sites in the area.


Following the coach trip from home to Dover, the ferry crossing and the short journey to our hotel in Lo, a borough of the Belgian municipality Lo-Reninge, it was time for dinner, a refreshing pint and then a nights sleep before our busy schedule began.

Our second day looked at the fighting during the Battle of France in May 1940 and our first stop was in Saint Venant. It was here that we were told the story of the Durham Light Infantry and The Royal Welch Fusiliers .

Following Hitler's invasion of France on 10 May it was only a matter of a few days before his Panzer Divisions had moved through Northern France towards the coast. The British Expeditionary Force (BEF) and French Army were trapped in a pocket and were forced to retreat to Dunkirk.


Forced back towards the coast they formed a perimeter along the canals and both the Royal Welch Fusiliers and Durham Light Infantry were ordered to defend and hold Robecq, Saint Floris and Saint Venant.

This first stop was an opportunity to see the canal area at Saint Venant defended by the Royal Welch Fusiliers and Durham Light Infantry and the memorial. We also visited the Communal Cemetery where many of those killed in Saint Venant are buried.


Moving on to Cassel Hill we examined the last stand of the Gloucestershire Regiment and the Oxfordshire and Buckinghamshire Light Infantry. They had reached Cassel on 25th May and were ordered to hold the western and eastern halves of the town. The plan was to hold the line to allow the BEF to be evacuated from the Dunkirk beaches.

Despite early success in holding the Germans back, continuous heavy air and ground attacks reduced much of the town to ruins. Most of the regiments men were either killed or taken prisoner. However, they had succeeded in delaying the German advance giving the troops in Dunkirk the much needed time to get off the beaches.

Following lunch in Cassel it was time to move on and our visits to Le Paradis and Wormhoudt, where two massacres took place, were the saddest parts of the whole trip.

At the end of May the Royal Norfolk Regiment were protecting the Battalion headquarters at Duries Farm in Le Paradis and the close hamlets of Le-Cornet Malo and Riez-du-Vinage. 


On 27 May, outnumbered, isolated from the rest of their unit and low on ammunition the 99 men, under the command of Major Lisle Ryder, surrendered. Stepping out with a white flag, German SS Officer Fritz Knoechlein ordered that they were stripped of their weapons and marched to another building at Creton Farm. They were lined up against the wall of a barn and two machine gunners opened fire followed by bayoneting and pistol shots to finish of any soldiers still alive.

Left for dead the Germans were unaware that there were two survivors, Privates William O'Callaghan and Albert Pooley. They managed to crawl towards a pig-sty where they survived for three days before being found by the owners of the farm but were eventually captured and taken prisoner.



Albert Pooley was repatriated and returned to England while O'Callaghan remained a prisoner until the end of the war.

In October 1948 both Pooley and O'Callaghan gave evidence in the trial of Fritz Knoechlein who was found guilty of war crimes and sentenced to death by hanging in January 1949. 

Major Ryder was killed on 2 October 1940 and was buried at Le Paradis Cemetery and, following our visit to the farm, we had the opportunity to visit his grave during the trip.


This was not the only atrocity committed by the SS as, on the day after the Le Paradis massacre, 80 men were killed at Wormhoudt.

As part of the BEF retreat to Dunkirk the 48th Division was defending the road which ran from Bergues through Cassel and Hazebrouck to slow down the German advance. At Wormhoudt they were finally outnumbered and with little or no ammunition, surrendered. Rightly so, they assumed they would be taken prisoner according to the Geneva Convention. However, this was not the case.

Following the surrender, soldiers from the Royal Warwickshire Regiment, Cheshire Regiment and Royal Artillery were taken to a barn near Wormhoudt. Concerns were raised during the trip as to the SS conduct which included shooting some of the wounded stragglers. When they arrived at the barn Captain James Lynn-Allen protested but to no avail.


With almost 100 men crammed into the barn soldiers from the Leibstandarte SS Adolf Hitler, threw grenades into the barn. Many were killed instantly, but many survived this first attack when Sergeant Stanley Moore and CSM Augustus Jennings threw themselves onto the grenades to protect their comrades. Realising this the SS ordered five at a time to leave the barn where they were then shot. Deciding it was too slow they eventually just opened fire on the barn killing 80 men. A few managed to escape but were eventually captured and taken prisoner.

Hauptsturmfuhrer Wilhelm Mohnke was in command but never faced trial, claiming he had nothing to do with the massacre.

Following the emotional visits to Le Paradis and Wormhoudt it was time to head back to Dunkirk. Bastion 32 was the headquarters of the French and Allied forces during the fighting in and around Dunkirk and during Operation Dynamo (the codename for the evacuation). It is now the Dunkirk War Museum we had the chance to spend a couple of hours looking around.


The museum houses a fascinating collection of uniforms, weapons, models, maps and photographs. Well laid out and with information boards it increased the understanding of what had happened during those dark days in May and June 1940. There was so much to see and photograph.

The day closed with a walk along the East Mole in Dunkirk harbour. The structure allowed ships to moor against the side and allow troops to board and return to England. Despite heavy bombing which destroyed much of the harbour it was from this important structure that 239,465 British and French troops were evacuated back to England. 


From the end of the East Mole you could look across and into the distance and see the beaches of Bray Dunes where more troops were evacuated and also see the remains of ships on the beach.

An early start on day three found us back in Dunkirk and a visit to the Dunkirk War Cemetery and Dunkirk Memorial. Unveiled in June 1957 the memorial stands at the entrance to the Commonwealth War Graves section of the Dunkirk Cemetery. 


The memorial commemorates the 4,505 missing of the BEF and features memorial panels and a shrine with an engraved glass pane which was designed by John Hutton and showed scenes of the evacuation. The Cemetery also has sections of First World War and Second World War graves. 

Moving a short way along the coast we stopped at Bray Dunes where we learned more about the evacuation and the 'little ships' that will forever be associated with the evacuation. It was from these beaches that 98,761 troops were evacuated.


There was time to walk along the beach and looking at the peaceful scene and families playing on the beach it was almost impossible to imagine what it must have been like back in 1940 when the beach was covered with troops waiting to board the 'little ships' and wrecked vehicles, discarded guns and other items strewn across the beach.

Unfortunately the tide was in so it was not possible to see the wreck of the two ships that were sunk by German air attacks, The Crested Eagle and The Devonia, which remain on the beach as a reminder of what happened over those few days in May.

Following lunch in St. Omer it was time to start looking at the history of the German V-weapon sites. Our first stop was at Eperlecques where we took a look around the massive Blockhaus.


Work began on building the V2 launch site at Eperlecques in March 1943. Used to construct and launch the V2 rocket it was planned to launch up to 36 rockets a day. Bombing by the allies between August 1943 and August 1944 prevented the German using the facility to launch the V2s.

Now preserved as a museum that presents the history of the site and V-Weapons programme it was interesting to walk around the site, much of which still remains. As you walk around the site you can't but be impressed by the structure and as you continue the walk you can see inside where images of a V2 give you an idea of what it would have been like had it been used as a launch site. 

Outside there is a V1 on its launch ramp and a V2 and throughout the site are other items of military interest.

Near Morbecque, and hidden in some woods, was the site of another V1 ski-ramp launch site. Although only various ruins remains it was an interesting walk through the woods where various structures stood.


The original launch ramp no longer exists but you could see where it once stood as the banked earth, trees and remaining brickwork are an indication.

In the evening I took the optional tour to Ypres for the Last Post Ceremony. Held at the Menin Gate the ceremony has taken place every night at 8pm since 1928, with the exception of the six years between 1939-1945. I had attended the ceremony back in 2015 during a previous tour and it was good to be among the hundreds of people who had once again, like every night, congregated around the Menin Gate to witness this emotional event.


Unfortunately due to work being undertaken there was scaffold around the Menin Gate which prevented you from seeing what an impressive structure it is. Fortunately last time I was there I managed to see it in all its glory.

Day four began on the Belgian coast at Raversijde where we visited a section of the Atlantic Wall. Originally the World War One Aachen Battery it was turned into a section of the wall by the Germans in World War Two. The Atlantic Wall stretched for more than 2,000 miles from the Spanish border to the tip of Norway.

Now a museum, you can walk through the many tunnels and bunkers viewing the original fortifications, trenches along with displays of uniforms and equipment used by those who occupied the defences.

A brief stop for some lunch then it was across the border into France for a visit to the Batterie Todt. Another impressive structure that was part of a series of four massive gun casemates or Turns as they were known.


Our visit was to Turn 1 which houses a museum with a detailed history of the Batterie Todt. This series of casements was named after Fritz Todt who was the Reich Minister of Munitions and head of Organisation Todt, a civil and military engineering group. 

The batterie housed a 380mm calibre gun built by Krupp that was capable of a range of up to 55 kilometres, well within the reach of the British coast.

Inside you can view where the gun was located along with various military items on the three levels.


The site is also the permanent home of a Krupp K5 280mm railway gun. A second gun is preserved at the United States Army Ordnance Museum in Petersburg, Virginia.

Having already seen the V1 and V2 launch sites at Eperlecques and Morbecque it was now time to visit the V3 super-gun system at Mimoyecques. Consisting of a network of tunnels constructed under a chalk hill with inclines to launch the rocket it was intended to launch up to a hundred missiles a day on London, only 168km away.


Although never fired in anger as the site was bombed by the allies with Tallboy bombs on 6 July 1944 you could still walk through the tunnels built to house this incredible weapon.

Our day ended with a look at the liberation of the coastal region in Northern France during September 1944 and a visit to the Calais Canadian Cemetery.


Our guide pointed out several graves of interest and one was unusual in the fact that the inscription listed the full name, Margaret Campbell of the Women's Auxiliary Airforce, which I believe is one of the few graves in any of the commonwealth cemeteries that has the full name. Other graves always showed the initials and surname only.

It was an early start on our final day for the drive back to Calais and our journey home. Our guide had one more visit planned, which was not on the original itinerary.

Earlier in the tour we were told the story of Major Angus McCorquodale and Lieutenant Jimmy Langley, of the Coldstream Guards, who were defending the Dunkirk perimeter. A Border Regiment officer informed McCorquodale that he was going to pull back and that the right flank would be exposed. Told to get back into line and fight he replied that he had no right to tell him what to do as he had been ordered to retreat. McCorquodale pointed to a tree and informed him that if he or any of his men passed it he would order his men to shoot. Langley was told to pick up a rifle and ordered to shoot the officer if he passed the tree. Later the Border Regiment officer was seen passing the tree and apparently both McCorquodale and Langley both fired and the officer fell to the ground. 


Angus McCorquodale, who was killed on I June 1940, is buried at Warhem Cemetery and we had the opportunity to visit his grave and hear more about the story.

Another informative, enjoyable and at times very sad and emotional tour that I am pleased I went on.

This article only covers my trip and a brief overview of events in and around Dunkirk in May and June 1940. There are many books, DVDs and on-line sites that give a more detailed account and are worth checking out.

I have already booked another for next year, once again with my good friend Brian, and will be visiting and travelling on the steam railways that ran on the Somme during World War One.

I met a great group of people on the Dunkirk and Fortress Europe tour and especially want to mention Heather, Helen, Ellen, Ruth, David, Margaret and Colin. I must also thank the two John's whose company I enjoyed every evening in the village or hotel bar enjoying a few pints of beer, and on one evening, enjoying watching the hundreds of people who filled the towns square for what is apparently a yearly event... a fair, music and an impressive firework display!


Finally thanks go to our knowledgeable tour guide Niall Cherry and our excellent drivers Anthea and Steve.


20 June 2023

JOE MEEK - THE TEA CHEST TAPES

In this article we look back on the life and career of Joe Meek, legendary record producer and pioneer of sound recording technology, the discovery of a stash of tapes known as 'The Tea Chest Tapes and review Heinz-The White Tornado, one of the first releases to be taken from the newly discovered recordings.


Born on 5 April 1929 in Gloucestershire, Meek had an interest in electronics from an early age. Biographers described him as a pre-teen Thomas Edison who spent his time in his parents shed at the bottom of their garden messing with radios and electronic circuits. From these humble beginnings a genius would emerge.

During his National Service he spent time as a radar engineer in the Royal Air Force and his fascination with space would lead to the sound for which he became famous and to produce his biggest hit record.

In 1953 he began working for the Midlands Electricity Board where he developed his interest in electronics and music production. It was there that he acquired a disc cutter. He left the electricity board to work as an audio engineer for an independent radio production company who made programmes for stations including Radio Luxembourg. He made his breakthrough working on Ivy Benson's Music For Lonely Lovers.

Meek set up his own production company, RGM Sound Ltd, which would later become Meeksville Sound Ltd. Operated from his home studio which he had built at his flat at 304 Holloway Road in London.

His developments in sound recording included sampling, overdubbing, reverberation and would lead to him being one of the most influential sound engineers of all time and one of the first to use the recording studio as an instrument.


In 1960 he produced Angela Jones, a top ten single for Michael Cox and the following year scored his his first number one with John Leyton's Johnny Remember Me. His third number one single and final major success was Have I The Right by the Honeycombs.

However, it was his second number one for which he will be best remembered. Telstar, an instrumental composed by Meek and recorded by The Tornados, whose bass player was a young blonde Heinz Burt, reached number one in the UK and spent five weeks at the top. The recording received an Ivor Novello Award for 'Best Selling A-Side' of 1962. The record also reached number one on the US Hot 100.

Meek would later produce a vocal version titled Magic Star which was sung by Kenny Hollywood and released as a single on Decca although it failed to chart.


His inability to play any instruments or to write notation did not prevent him writing and producing a string of commercial recordings. He turned to musicians and songwriters including Geoff Goddard, Dave Adams and Charles Blackwell to transcribe his vocal demos into hits. He worked on over 200 singles of which close to fifty reached the UK top-fifty.

Unfortunately his success as a record producer did not extend to his personal life. I do not want to cover his private life here except to mention that on 3 February 1967 Meek killed his landlady Violet Shenton in his flat and then himself using a single-barrelled shotgun. It followed an argument over noise levels and outstanding rent. Apparently he had confiscated the shotgun from Heinz Burt and had kept it under his bed. Meek was buried at Newent Cemetery in Gloucester.

Meeks reputation was recognised by the Music Producers Guild in 2009 who created the 'Joe Meek Award for Innovation in Production'. Music paper New Musical Express ranked him the greatest producer of all time writing, "Meek was a complete trailblazer, attempting endless new ideas in his search for the perfect sound. The legacy of his endless experimentation is writ large over most of your favourite music today."

Meek left behind nearly 1,900 tapes which sat in storage for almost fifty years and became known as the 'Tea Chest Tapes' due to how they were stored. Cliff Cooper purchased the tapes for around £300 following Meek's suicide. In the mid-1980s these tapes were catalogued by Alan Blackburn, former president of the Joe Meek Appreciation Society. The tapes were put up for auction in 2008 although it is reported that they failed to sell. What is known is that in 2020 Cherry Red Records purchased the tapes from Cooper.


An eighteen-month project resulted in all the tapes being digitized and catalogued by Cherry Red's Alan Wilson, a lifelong Joe Meek fan, analog tape specialist and studio engineer. Talking about the work Wilson said, "I'm very lucky to be working on this."

An almost impossible task as many of the tapes had little or no writing on the boxes or where there was documentation it often did not reflect the actual contents.

The tapes contained masters of released material, alternate takes, backing tracks and several songs in their original speed, often having been sped-up for original release. They found tapes with just a backing track, then discovered another with vocals and finally another where backing vocals had been added. It showed how Meek would create a song... bouncing from one machine to another to create a finished master.

Wilson spoke about the quality of the tapes, which you have to remember were over fifty years old and hadn't been stored in ideal conditions, "By and large, the tapes are in very good condition. We're taking everything off with great care, cleaning and baking where necessary. The quality is quite stunning, even flat transfers, before we restore and master. It makes me realize how good Joe Meek was.

The first material to be released by Cherry Red from the legendary 'Tea Chest Tapes' were a couple of limited-edition, 10-inch vinyl extended play albums, The Telstar Story and The Heinz Sessions Vol. 1. More recordings are due in the coming month which brings me to their first comprehensive package which has just been released, Heinz - The White Tornado.

Heinz Burt was born on 24 July 1942 in Detmold, Germany and, from the age of seven, bought up in Eastleigh, Hampshire in England. Bass player in the Tornados, he had come to the attention of Joe Meek and became his protege. Meek styled his image and persuaded him to peroxide his hair. It is stated that Meek fell in love with Heinz but it was one-sided as Heinz did not have any feelings towards him and would go on to marry Della Burke at the height of his career.


A fan of and influenced by Eddie Cochran his biggest selling solo hit was Just Like Eddie, written by Geoff Goddard and a top-five hit in August 1963.

Meek's death signalled the end of Heinz's solo recording career and he worked outside of the music industry at various jobs including working in advertising for a local paper. He would work in pantomime and in later years worked on several 1960s revival shows. Heinz suffered from motor neurone disease and was confined to a wheelchair. He died in 2000 aged 57 following a stroke and was cremated at Eastleigh Crematorium in Hampshire.

He released a number of singles including, Live It Up, Country Boy, Please Little Girl, Diggin' My Potatoes, End Of The World and Movin' In, some of which reached the UK top-fifty.

His only album, Tribute To Eddie, was released in 1964 and, as the title suggests was a tribute to his biggest influence. Among the Cochran tracks featured were, Summertime Blues, Three Steps To Heaven, Cut Across Shorty, Twenty Flight Rock and I Remember. The hit single Just Like Eddie was also featured.

The latest release from Cherry Red Records, and taken from the legendary 'Tea Chest Tapes', is Heinz - The White Tornado. A 5-CD set in a clamshell box with each disc housed in a cardboard sleeve made to look like original tape boxes.


The set is split into five different CDs... Tribute To Eddie + Versions, Tribute To Eddie Sessions, The Singles Pt. 1, The Singles Pt.2 and Demos And Curios.

Of the 131 tracks included over 100 are previously unreleased! These include alternate versions, backing tracks, demos, instrumentals, session highlights and tracks at their original speed. Also featured are a live rehearsal and a short interview. The sound is incredible when taking into account the age of the recordings and credit must go to all those involved in the production of this set.

The 20-page booklet includes a comprehensive liner note by Rob Bradford and Richard Anderson along with some great photos, record sleeves and other memorabilia.

A very impressive release which will not only be of interest to fans of Heinz but also those with an interest in the history of British pop music in the 1960s and the art of studiocraft. I am looking forward to future releases from Joe Meeks 'Tea Chest Tapes'.

----------------

During one of my many walks around London's music sites I visited 304 Holloway Road and captured a few images,