10 September 2026

NATIONAL MEMORIAL ARBORETUM

I recently visited the National Memorial Arboretum in Staffordshire after originally planning to go in 2025 but having to cancel due to train/tube strikes and the bad weather.

As I live on the south coast I booked a couple of nights away in Tamworth which gave me the chance to spend a whole day at the Arboretum.

I travelled up on the Sunday and after checking in to the hotel spent the evening walking around Tamworth and enjoying dinner and a pint at the local Wetherspoons, The Bole Bridge.


Early Monday morning I headed back to the train station and picked up the local bus service whick took about 30 minutes to reach the Arboretum.

I arrived just as they opened and was greeted by a very polite member of staff who enquired if it was my first visit and was there any memorials in particular that I was interested in seeing.

As I had already purchased a guide book a few weeks before I had a very good idea and plan for the day.


As I had left the hotel early I took the opportunity to enjoy a breakfast at the Arboretum restaurant which was very nice. I have to say, once again, all the staff were very polite. Breakfast eaten it was time to start exploring.

Before I talk about just a few of the memorials I visited, a short history of the site.

The National Memorial Arboretum is a site of remembrance in Alrewas near Lichfield, Staffordshire.

The idea was suggested by Commander David Childs, CBE who, in 1988, wished to create a centre for remembrance to those who had lost their lives in defence of their country.

In 1994 Prime Minister John Major launched an appeal believing that the Arboretum would become a living tribute to the service men and women.

Three proposals were agreed... the site was to be the location of the Armed Forces Memorial, the Ministry of Defence would pay a grant allowing free entry into the site and The Royal British Legion would accept the site as somewhere for the nation's year-round remembrance. 

At first there was no money for the land, staff or trees and it was only an idea. Fortunately The National Lottery granted forty per-cent of the funds required with extra funds being donated by both civilian and military organisations.

The area chosen for the site was reclaimed gravel workings located between the Trent and Tame Rivers and donated by Tarmac Lafarge.

Work commenced in 1997 and the Arboretum was officially opened on 16 May 2001 by Her Royal Highness The Duchess of Kent.

The site covers approximately 150 acres, contains more than 25,000 trees and over 420 memorials to the armed forces, civilian organisations and voluntary bodies that all played a part in serving the country.


The largest memorial, which is positioned at the heart of the Arboretum close to the entrance, is the Armed Forces Memorial. A tribute to 16,000 service personnel who lost their lives in conflict or as a result of terroist acts, since the Second World War.

Designed by Liam O'Connor Architects there are inner and outer walls with each of the names inscribed on them.

At 11am on 11 November each year the sun shines through the gaps between the inner and outer walls casting a shaft of light across the wreath that sits in the centre of the memorial.

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The first memorial to be erected was The Polar Bear Memorial: 49th Infantry West Riding Division. Made from yellow hardwood it took six years to create. Standing 9ft long, 5ft high and weighing over 2 tonnes it is an impressive structure.


It is a tribute to the 49th Infantry West Riding Division who fought in Flanders during the First World War. They received the nickname 'The Polar Bears' during the Second World War when they were stationed in Iceland and fought in Norway, often in more than 20 inches of snow.

The memorial was dedicated in 1998, three years before the Arboretum's official opening in 2001.

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The Guinea Pig Club was formed in July 1941 by Allied aircrew who were being treated for severe burns. The members were being treated by Sir Archibold McIndoe and his team at the Queen Victoria Hospital in East Grinstead. At the end of the war there were more than 600 members of the Club.


McIndoe, born in New Zealand, trained in plastic surgery at St Bartholomew's Hospital and became one of the leading plastic surgeons. His work at the Queen Victoria during World War Two saw those airmen with horrific burns to their faces and bodies, known as 'McIndoe's Guinea Pigs', given pioneering reconstructive surgery.

Carved from green slate the memorial is formed in a similar shape to a Spitfire wing. At the botton there is a depiction of a crashed Hurricane with a vapour trail running down from the top. The trail actually forms a facial outline of McIndoe. An inscription reads, 'Out of the flames came inspiration.'

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The work of the SOE (Special Operations Executive) is remembered with the Vera Atkins Memorial Seat designed in the form of a hexagram, a 6-pointed star, and a shape that is used in many cultures around the world.

The shape of the memorial was chosen as it encompasses a pine tree that was grown from a seed found in a cone from the Natzweiler Concentration Camp by Annette Colton and planted at the Arboretum by her in 2008.


Vera Atkins was an intelligence officer whose responsibility included choosing and looking after the women who were sent to France as couriers, radio operators and to assist the French Resistance. After the war she went back to Europe to find out the fate of those agents who did not return.

There are plaques placed around the memorial with details of those agents who did not return, either executed or died of diseases at concentration camps including Dachu, Ravensbruck and Natzweiler.

The agents include, Violette Szabo, Lilian Rolfe, Diana Rowden, Noor Inayat-Khan and Yolande Beekman but many others are listed.

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Two memorials have a connection with football and they both commemorate events during the First World War.

Christmas Truce Memorial: Football Remembers is dedicated to the soldiers from both sides engaged in an unofficial truce in No Man's Land on the Western Front on Christmas Day 1914. During this brief respite from the horrors of war they shook hands, chatted, exchanged gifts and took part in an impromptu game of football.


Designed by ten-year old Spencer Turner it features two bronze hands, one British and one German, shaking hands all enclosed within a wire football. The stone plinth has the wording, 'Christmas Truce 1914... Football Remembers'.

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The second football related memorial is to the players, staff and supporters of Clapton Orient Football Club who served and died with the 17th Battalion Middlesex Regiment. They became known as The Footballers Battalion.


The dedication reads, 'Footballers who were used to playing together on the field wished also to be together on the battlefields of Flanders and to be side by side with those with whom they fought at football.' In October 1946, Clapton Orient Football Club adopted the name Leyton Orient.

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Also in this area of the Arboretum is a stone with a plaque that has final lines from Robert Laurene Binyon's poem, For The Fallen, 'They shall not grow old, as we that are left grow old. Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning. We will remember them.'


It also bears the inscription, 'In Rembrance of 956,703 British Empire men and women who fell in the Great War 1914-1919.'

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Many women have seen active service, both at home and on the battlefields, and their contributions are remembered on several memorials.

The Women's Land Army and Timber Corps Memorial is a tribute to those women who provided additional agricultural support and provided food and timber to aid the war effort.

By 1943 more than 80,000 worked in the Land Army and were known as Land Girls. A further 6,000, known as Lumber Jills, worked in the Timber Corps.


The bronze memorial shows two girls dressed in their respective uniforms. The Land Girl is holding a sprig of corn and a pitchfork while the Lumber Girl has an axe over her shoulder and is holding a pine cone and sprig of oak, This sybolises both kinds of work they undertook, in agriculture and timber.

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Both the Women's Royal Army Corps (WRAC) and the Auxiliary Territorial Service are commemorated with statues.

The first, known as the 'WRAC Lady', pays tribute to all the women who served in the WRAC between 1949 and 1992. They played a big part in dealing with emergencies and security threats in Northern Ireland, Iraq, the Falklands and many other countries.




The second statue remembers those women of the Auxiliary Territorial Service which was the women's branch of the British Army and who served in the Second World War. Formed in September 1938 it had its roots in the Women's Auxiliary Army Corps (WAAC) which was formed in 1917 as a voluntary service. The ATS existed until 1949 when it was merged with the Women's Royal Army Corps.

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Pegasus Bridge, originally called the Benouville Bridge, was a crossing over the Caen Canal. Along with Ranville Bridge (later renamed Horsa Bridge) which spanned the Orne River, their capture was vital in defending the D-Day landing beaches in Normandy and the Airborne Forces drop zones to the west and east of the bridges.


Operation Deadstick, an operation that saw six Horsa Gliders released from Halifax aircraft landing near to the bridges, resulted in the capture of both bridges.

The Pegasus Bridge Memorial, which commemorates this event, depicts three Horsa Gliders set in a giant letter 'S' on a metal column. The 'S' represents the way the raid was carried out... in secret and silence with stealth, speed and surprise.

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The June 1944 D-Day Landings are remembered on the Normandy Veterans Memorial. The design of the memorial is based on the Normandy coastline, viewed from the sea, where the landings took place.

In front is a stone plinth with two metal plaques, one with a brief history of the D-Day landings and the other has the inscription, 'This plot is dedicated to all those men and women who took part in the Normandy Campaign of 1944.'


A map showing the coastline and beaches and the various army groups that landed is also featured..

Nearby are five stones, one for each of the beaches... Gold, Juno, Sword, Utah and Omaha.

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During the First World War 309 soldiers (British and Commonwealth) were shot for desertion, cowardice and other crimes and they are remembered at the Shot at Dawn Memorial.

The main statue depicts a young soldier, blindfolded and about to face the firing squad. Behind the statue are 309 metal posts arranged in a semi-circle, each with a small metal plaque bearing the name, rank, regiment and date and their age when they were shot.


Today it is known that many were underage when they joined up and many more suffered from Post Traumatic Stress Disorder (PTSD), something which wasn't recognised back in the First World War. It would be the 1980s before it was recognised as a medical condition.

A Pardons Campaign which commenced in the early-1990s aimed to pardon those who were wrongly convicted.

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The Royal Airforces Association Remembrance Garden (RAFA) is an impressive memorial to all those who served in the RAF and Commonwealth Air Forces.


In the centre of the 50-metre garden is the Royal Air Force Association emblem, a stainless steel eagle sitting above a globe. The eagle was constructed from more than a thousand hand-forged feathers.


The eagle is surrounded by an RAF roundel separated into four different sections which depicts the Association at the heart of RAF welfare.

The plinth on which the eagle stands has the dedication, 'In friendship and in service one to another we are pledged to keep alive the memory of those of all Nations who died in the Royal Air Force and in the Air Forces of The Commonwealth. In their name we give ourselves to this noble cause. Proudly and thankfully we will remember them.'

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The Women's Royal Air Force Memorial celebrates the work of the women who served alongside their male counterparts in the ranks or as commissioned officers.


The WRAF has had a long and varied history. Formed in 1918 it was disbanded just two years later in 1920. It was replaced in 1939 as the Women's Auxiliary Airforce (WAAF) at the start of the Second World War. The WRAF was reinstated in 1949 and women were enlisted as regulars into their own branch of the RAF. 

In 1982 women were trained to be fully combatant and carried on the same duties as the men. They served in various conflicts including Cyprus, the Falklands and the Gulf War.

The Women's Royal Air Force ceased in 1994 with terms and conditions equal for both men and women and they were absorbed into the RAF.

The memorial features two WRAF personnel either side of their badge and underneath are the dates they were active... 1918-1920 and 1949-1994.


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The railways have played a major and important role in wars over the years and this is remembered with The Railway Industry Memorial which celebrates the achievements of those who worked on the railways and also gave their lives during times of conflict and peace.


The memorial features a Class 8F locomotive made of black granite sitting on top of a plinth. The reverse features a number of depictions of various activities carried out by the railway workers and companies. This is etched onto the black granite.

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The 36th (Ulster) Division Memorial is dedicated to the Officers and Men of the 36th (Ulster) Division and the Nursing and Medical Corps who served behind them during the First World War.

The black granite stone is inscribed with gold lettering and at the top is the heraldic red hand, the insignia badge of the Division. At the centre of the stone is a painting, by J. P. Beadle, of the Attack of the Ulster Division, showing the fighting on the first day of The Battle of The Somme.


Under the painting is the poem 'Lest We Forget' and either side are listed the battlefields in which they fought... Ypres, Messines, Cambrai, Passchendaele, Fricourt and others.

Scattered around the memorial is soil from Ulster's nine counties and also the Somme, Messines, Passchendaele Wytschaete and Polcapelle.

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The Burma Railway Memorial is a tribute to the more than 250,000 Allied prisoners of war and civilians who were forced to build the 258 mile 'Death Railway' which ran between Bangkok, Thailand and Rangoon, Burma.

Work commenced in October 1942 but the pace increased the following year when the Japanese demanded faster progress. The railway was completed in October 1943 but at a terrible loss.

Over 15,000 Allied POWs and 100,000 labourers died during the construction and are remembered in this memorial.


The memorial is constructed from 30-metres of original track and sleepers from the railway which were brought back to Britain in 2001 on HMS Northumberland.

A FEPOW (Far East Prisoners Of War) plaque explains more about the memorial while another at the other end of the track shows the route of the railway. 

The Bridge Over The River Kwai, as it has become known and depicted in the film of the same name, was just a small part of the railway and crossed the Mae Klong River in Kanchanaburi. Following the success of the film people began visiting the bridge and to avoid any confusion that part of the river was renamed Khwae Yai (River Kwai).

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One of the recent additions to the site is the memorial to the 97 soldiers who were killed in the massacre at Le Paradis, France. This was one memorial that had a special significance to me as, back in 2023, I actually visited the site of the massacre during my Leger Battlefield Tour, Dunkirk and Fortress Europe, which was very interesting and emotional.


On 27 May 1940, during the Battle of France, the British Expeditionary Force were trying to retreat back to Dunkirk and then evacuation back to England.

Troops from the 2nd Battalion, the Royal Norfolk Regiment, had become separated from the rest of their unit and occupied, and defended, a farmhouse in the small hamlet of Le Paradis. Running out of ammunition they surrendered. 

Soldiers from the SS Division Totenkopf, commanded by Haupsturmfuhrer Fritz Knochlein, led the prisoners across the road where they were stood against a wall and gunned down. Two, despite their injuries, managed to escape but were captured a few days later.

After the war, Knochlein was convicted and sentenced to death. He was executed in 1949. The two survivors acted as witnesses.

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Having just mentioned one memorial that relates to the events of May 1940, The Battle of France and Dunkirk, it brings me to the final one I will cover in this article.


The Dunkirk Memorial was one of the last I visited during my trip and my own personal favourite due to its simplicity and the fact that it said all that was needed to remember what happened during those few weeks in May when more than 338,000 troops were evacuated from the beaches in Dunkirk. 
The rifle and helmet sit on pebbles and sand that came from the beaches.

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This article has only covered a few of the memorials I visited and there are many, many more  to be seen.

The National Memorial Arboretum is a beautiful and peaceful place and a great tribute to the many regiments, organisations and events that are remembered here.

As mentioned earlier, the staff are exceptional and very helpful not only in the reception and the restaurant but also out and about. They were always happy to give directions and information.

If you haven't been to the National Memorial Arboiretum I can highly recommend it and am already planning to visit again one day.

Note: There are plans to rename The National Memorial Arboretum and from the end of September it will be known as The Royal British Legion National Remembrance Garden. There has been a lot of controversy with this decision and a petition to stop the change has been signed by thousnads of people. My own feelings is that it should stay as The National Memorial Arboretum.


29 August 2026

JOHNNY CASH ARTICLES

Since starting this blog back in 2019 I have written many articles on Johnny Cash and listed below are details with the title, date first published, an image from the article, a short excerpt and a link to the full article.

Enjoy!

Photograph: Paul Natkin


JOHNNY CASH - THE MERCURY ALBUMS
First published 26 October 2020

After almost thirty years Columbia/CBS decided that they were not going to renew Johnny Cash's contract. The decision angered many people including Dwight Yoakam who said at the time, "The man's been there thirty fucking years making them money."

Fortunately for him there was a label prepared to sign him and it was Steve Popovich that brought him to Mercury Records. "I really believe in you, " Popovich told Cash during a meeting at The House of Cash. "Our company believes in you. We feel, with the right record that we can help support what you're trying to do here and get some strong records, some hit records." Cash signed with the label in 1986.

Despite releasing strong albums which it has been reported sold little over 200,00 copies in total, it soon became clear that the label were more interested in pandering to the younger artists in their cowboy hats and boots who could be seen everyday on Country Music Television.

Read the full article here...

https://peter-lewry.blogspot.com/2020/10/johnny-cash-mercury-albums.html

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JOHNNY CASH - THE OUTTAKES

First published 2 December 2020

Having already released The Everly Brothers The Outtakes and Janis Martin The Outtakes which, as the titles suggest, contained outtakes and false starts, in early 2007 Bear Family Records turned their attention to Johnny Cash with a three-CD set of outtakes, false starts and studio chat from the Sun Records period. I was fortunate to have been approached to compile the set and write the liner-notes. In this article I will look back at the work that was involved in putting the set together. 

Towards the end of 2006 I was approached by Richard Weize, owner of Bear Family Family, who asked if I would be interested in putting together the set and, of course, I agreed.

My first task was to work out which outtakes had already been issued on the Man In Black 1954-1958 and other releases and compile a spreadsheet detailing where these could be found. I then received nine CDs with various outtakes, false starts and studio chat that also contained some material that had been out before. Unfortunately there were many Sun tracks for which no alternates have survived although what was there made interesting listening.

Read the full article here...

https://peter-lewry.blogspot.com/2020/12/johnny-cash-outtakes.html

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HELLO, I'M JOHNNY CASH

First published 26 January 2021


Sessions for the album began on 17 February 1969 at the Columbia Studios in Nashville with Bob Johnston producing. The first track recorded was the Cash original Southwind which had the distinction of being Bob Wootton’s first session with Cash.

There was a break during which time Cash recorded with Bob Dylan during his own sessions for his Nashville Skyline album,  and performed his famous concert at San Quentin. Recording continued in July and wound up early in September

Musicians and vocalists on the sessions were Bob Wootton (guitar), Carl Perkins (guitar), Marshall Grant (bass), W. S. Holland (drums), Norman Blake (dobro) and The Carter Family (vocals).

The album opens with Southwind which recalls the boom-chicka-boom style he had created back in the fifties at Sun Studios. It captures two of Cash’s favourite themes, trains and heartbreak. It features some blistering guitar by new boy Bob Wootton and great drumming from W. S. Holland and sets the standard for the rest of the album.

Read the full article here...

https://peter-lewry.blogspot.com/2021/01/hello-im-johnny-cash.html

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FORTY SHADES OF GREEN

First published 17 March 2021

The year 1963 started off with the release of the concept album Blood, Sweat And Tears and would find Cash hitting the top spot again with the single Ring Of Fire, his first number one in four years. Cash was also on the road for most of the year including an appearance at the famous Hollywood Bowl in Los Angeles. It also saw Cash make his first full concert tour in the United Kingdom with most of the dates in Ireland but, as we shall see later, it included two concerts in England.

The tour was promoted by Tom Costello and Bill Fuller and accompanying Cash on tour were The Tennessee Three (Luther Perkins, Marshall Grant and W. S. Holland), June Carter and his manager Saul Holiff.

Other acts on the tour included The Cadets, Savoy Swing Seven, The Victors Showband, Dermot O’Brien Stellas, Johnny Grant, The Mounties Showband and Pete Brown Showband. Most of the support acts were local bands from the places visited during the tour.

Read the full article here...

https://peter-lewry.blogspot.com/2021/03/forty-shades-of-green.html

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REMEMBERING LOU ROBIN

First published 19 May 2021

So sad to hear that Lou Robin has passed away in California a few days before his 91st birthday. For more than thirty years he managed the career of Johnny Cash and continued looking after Cash's legacy following his death in 2003.

Lou was always kind and supportive of my work on the Fanzine, in which I interviewed him, and also my book, for which he wrote the foreword to the first edition and is reproduced below. He was always there to answer my constant email requests and when I gave up the Fanzine a few years ago he wrote a lovely email thanking me for my work.

Read the full article here...

https://peter-lewry.blogspot.com/2021/05/remembering-lou-robin.html

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HURT - THE SONG AND VIDEO

First published 7 July 2021

Throughout 2001-2002 Johnny Cash and Rick Rubin were working on songs for his next album. Like their previous collaborations several cover versions were attempted including Bridge Over Troubled WaterIn My LifeDesperado and Personal Jesus. However the standout track on what would become American IV: The Man Comes Around would be his cover of the Nine Inch Nails song Hurt.

Cash’s version became one of the most talked about songs of 2003 and there is no doubt that it stands as one of the greatest cover versions of his entire career. However, it was nearly never recorded.

As had happened with Rusty Cage a few years earlier Cash was unsure about the song. When he first heard it, and especially the tune itself, he told Rubin, “I can’t do that song, it’s not my style.” Rubin suggested trying it a different way and laid down a track which Cash felt would work.

Read the full article here...

https://peter-lewry.blogspot.com/2021/07/hurt-song-and-video.html

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JOHNNY CASH AT THE CAROUSEL BALLROOM

First published 30 October 2021

On 13 January 1968 Cash played his legendary concert before an audience at the infamous Folsom Prison in California. Columbia were also there to record the concert for future album release. 

A few days before the release of the album Cash played a concert at the Carousel Ballroom in the Haight-Ashbury district of San Francisco. The show was recorded by audio engineer Owsley Stanley and now, more than fifty years later, the concert has been issued through the Owsley Stanley Foundation and Renew Records/BMG.

Before we review the new release we take a look at the life of Owsley Stanley, the history of the Haight-Ashbury scene and the Carousel Ballroom.

Read the full article here...

https://peter-lewry.blogspot.com/2021/10/johnny-cash-at-carousel-ballroom.html

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JOHNNY CASH FANZINE

First published 26 February 2022

Today would have been Johnny Cash's 90th Birthday and to celebrate I thought I would look back at my work on the Johnny Cash Fanzine including some highlights, comments from family and friends when I ceased publication and an interview that I did a few years ago. I am also offering a special offer on the Fanzine.

I never, in my wildest dreams, thought that when I published the first issue of Johnny Cash-The Man in Black in December 1994 that it would run for almost twenty-five years.

Of course, it was down to the subscribers, the Cash family, band members, producers, photographers, management and record companies whose support made it all possible.

The decision to cease publication in 2019 was not an easy one to make and I wish I could have celebrated by reaching one hundred issues but alas it wasn’t to be. Health issues and a decline in membership signalled the end. However, I am proud of what I achieved and hope everybody enjoyed the journey with me.

Read the full article here...

https://peter-lewry.blogspot.com/2022/02/johnny-cash-fanzine.html

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THE FABULOUS JOHNNY CASH

First published 15 November 2022

Johnny Cash's debut album for his new label Columbia was released in November 1958 and to celebrate this we look back at the recording, release and success of the album The Fabulous Johnny Cash.

A week after his last session for Sun Records, Johnny Cash was at the Owen Bradley Studios in Nashville cutting his first sides for his new label, Columbia. This first session produced six songs and a few weeks later on 8 August a further ten tracks were recorded during two sessions on that day. To enable them to have enough tracks for their first album and singles a further session was held five days later with nine more songs successfully recorded.

Read the full article here...

https://peter-lewry.blogspot.com/2022/11/the-fabulous-johnny-cash.html

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THE 'SUMMER CASH' CAMPAIGN

First published 18 January 2023

When Shelby Singleton purchased the Sun Records Label in 1969, he started one of the most intensive reissue campaigns ever. In this article, originally published in The Man in Black (Issue #75 - June 2013), we look at the buyout and the subsequent Johnny Cash releases on the Sun International label between 1969 and 1971, a time when Cash’s Columbia career was at an all-time high.

By the mid-sixties Sun Records had been consigned to the past with Phillips being approached by various record companies prepared to buy the label. One of the most persistent was CBS/Columbia who, with Cash on their label, were keen to get all the Sun masters out of circulation. As far back as 1962 Phillips had considered a deal with Mercury Records whereby Sun would act as a production company for the label.

Read the full article here...

https://peter-lewry.blogspot.com/2023/01/the-summer-cash-campaign.html

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JOHNNY CASH - THE BILLY SHERRILL SESSIONS

First published 17 May 2023

When one thinks of Johnny Cash’s producers there are many names that come to mind. Of course high on the list is Sam Phillips, who founded Sun Records, and gave Cash his first break. Also at Sun Records was ‘Cowboy’ Jack Clement, whose name would crop up regularly throughout Cash’s career. While his move to Columbia Records saw him working with Don Law and Frank Jones and in the late 1960s Bob Johnston who was behind the legendary prison albums. Into the 1970s and we find Larry Butler and Charlie Bragg working with Cash while the following decade would see Brian Ahern and band members Earl Poole Ball and Marty Stuart taking over the role. Of course any list would not be complete without Rick Rubin who bought Cash’s music to a whole new audience in the 1990s and 2000s. One name often overlooked is that of legendary Nashville producer Billy Sherrill and in this article we look back at his career and his work with Johnny Cash.

Billy Norris Sherrill was born on 5 November 1936 in Phil Campbell a small town located in Franklin County, Alabama. 

Read the full article here...

https://peter-lewry.blogspot.com/2023/05/johnny-cash-billy-sherrill-sessions.html

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REMEMBERING JOHNNY CASH

First published 12 September 2023

The 12th September 2023 marks the 20th anniversary of Johnny Cash's death and I wanted to pay tribute to a man and artist whose music meant so much to me and was a major influence in my own career as a writer, journalist and consultant. For twenty-five years I ran the Johnny Cash Fanzine and during that time was fortunate to meet and interview many people associated with his career as well as become friends with many of those who subscribed to the magazine. It is a time I will never forget.

I considered many different articles to remember him and could have written about his early career at Sun Records, his Columbia albums, the prison concerts, his work with Rick Rubin or any number of other aspects of his career. However, I have decided to look back at his final concert here in the United Kingdom and meeting him backstage.

Read the full article here...

https://peter-lewry.blogspot.com/2023/09/remembering-johnny-cash.html

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JOHNNY CASH - THE LIFE IN LYRICS

First published 24 November 2023

Johnny Cash wrote over 600 songs covering everything from love songs to murder ballads, prison songs to those about the working man, American history and the plight of the Indians, humorous songs and gospel. In this new book, Johnny Cash The Life In Lyrics, Cash historian Mark Stielper looks in detail at 125 lyrics written by 'America's Foremost Singing Storyteller'.

Within the 374 pages of this lavishly illustrated, hard-back, coffee table book Johnny Cash's fifty years of song-writing is bought together for the first time. However, it is more than just a book of lyrics as there are stories behind the songs which give the reader an insight into Cash, not only as an artist but also a man who spoke to a nation and the triumphs and challenges he faced in his own life.

Read the full article here...

https://peter-lewry.blogspot.com/2023/11/johnny-cash-life-in-lyrics.html

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JOHNNY CASH - AMERICAN RECORDINGS

First published 26 April 2024

Thirty years ago, on 26 April 1994, Johnny Cash released his album American Recordings, his first on his new label and with a new producer, Rick Rubin. In this latest blog, an expanded and updated article that originally appeared in Issue #40 of Johnny Cash-The Man in Black in September 2004, we look back at how his career took on a new direction, the release of the album and its commercial and critical success.

CBS’s decision to drop Johnny Cash after an unparalleled twenty-eight year partnership angered many people. Dwight Yoakam, an up and coming country star back in 1986 that Cash rated highly, didn’t hold back when he said, “The man’s been there thirty fuckin’ years making them money.” And talking about the Columbia executives offices he raged, “He built the building.”

Even in 1986 Cash still had a loyal following playing sell-out concerts throughout the world and shifting over 40,000 copies of every album but this was not enough to justify a record companies investment and many other country stars would suffer the same fate in the years that followed. 

Read the full article here...

https://peter-lewry.blogspot.com/2024/04/johnny-cash-american-recordings.html

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JOHNNY CASH - SONGWRITER

First published 2 July 2024


By 1993 Johnny Cash was drifting. When his relationship with Columbia fell apart in the early 1980s he signed with Mercury Records hoping that he would get the support and promotion he felt he deserved.

Unfortunately this was not the case and his deal with them soon turned sour. In 1993, with a career that had been going for almost forty years, his prospects looked bleak. He hadn’t recorded for Mercury for close to three years.

Under the terms of his 1986 contract with Mercury they were still owed one more album from Cash. However, neither party were in any particular rush–Cash in producing it or Mercury in releasing it. They both seemed keen to end the relationship and move on.

Read the full article here...

https://peter-lewry.blogspot.com/2024/07/johnny-cash-songwriter.html

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INTERVIEW WITH 'COWBOY' JACK CLEMENT

First published 19 February 2025


'Cowboy' Jack Clement worked with Johnny Cash who recorded several of his songs. In this exclusive interview he talks about his days at Sun Records, working with Jerry Lee Lewis, songwriting, Johnny Cash, his recent CD and much more.

I’d like to start by asking where and when you were born.
I was born in Downtown Memphis, Tennessee, Sunday April 5th, 1931 in St. Joseph’s Hospital, a Catholic institution. Well of course I was a Baptist at the time. My name is not John it’s Jack, Jack Henderson Clement. Therefore, I’m not being irreverent when I call myself Jack the Baptist.

I have to ask how the name ‘Cowboy’ Jack Clement came about.
Me and a couple of buddies were hanging out one night and we just started calling each other ‘Cowboy’. I was ‘Cowboy’ so and so, Allen Reynolds was Cowboy so and so and Dickie Lee, as I recall, was ‘Cowboy’ Red River Sylvester. I was a New Jersey cowboy named ‘Cowboy’ Wallyaskey and the name just kinda stuck, mine did. We called each other ‘Cowboy’ for a while after that but somehow mine stuck, and I guess I let it.

Read the full article here...

https://peter-lewry.blogspot.com/2025/02/interview-with-cowboy-jack-clement.html

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JOHNNY CASH - THE SURVIVORS

First published 22 July 2026


April 1981 found Cash on one of his regular tours of Europe. Opening with a show on 17th April in Stockholm, Sweden it ran for ten days with shows in Hamburg, Stuttgart, Frankfurt, Cologne, Paris, Rotterdam and an appearance at the Wembley Country Music Festival in London.

Cash’s regular touring band of the time accompanied him - Bob Wootton (guitar), W. S. Holland (drums), Marty Stuart (guitar & mandolin), Jerry Hensley (guitar), Earl Ball (piano), Jack Hale Jr and Bob Lewin (trumpet and French horn) although the bass player on this ocassion is one of Nashvilles finest, Henry Strzelecki. Also joining them was Jerry Lee Lewis, Carl Perkins and Lewis' guitar player, Kenneth Lovelace, who, as we shall see, joins Cash for several tracks.

During the show at the Sporthalle in Boblingen, Stuttgart the audience were treated to one of those rare moments that turns a great concert into an unforgettable experience.

 Read the full article here...


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(Article Updated 26 February 2026)